The Board of Trustees consists of recognized experts in the cultural field and sets the policies, goals and priorities for the EMF. The Board provides stewardship for the organization, is responsible for the financial health of the organization through oversight and fund raising efforts.
Kimmo appreciates museums as learning environments and believes that museums can also deal with the difficult issues. Kimmo is interested in fascinating narratives and technological solutions at the museums and he is enchanted by stories, art and music.
Kimmo Antila is museum director and CEO of the Finnish Postal Museum Foundation and Tampere Collection Hall Ltd. He has studied i.a. history, computing science, sociology, museum management and industrial heritage (University of Tampere, Deutsches Museum, The Royal Institute of Technology in Stockholm). He had been working at the museums, universities, companies and state offices since the beginning of the 1990s. Antila was as a lecturer at the Finnish University Network for the History of Science and Technology (2002- 2006) and the project manager for Museum Centre Vapriikki (2006-2012), including the project lead and curating for Tampere 1918, Museum of Finnish Civil War (EMYA 2011 special commendation).
Kimmo is a member of the board of the International Association of Transport and Communications Museums (IATM) and he has served as a board member in the various international and Finnish associations like the Finnish Museum Association (2015-2018), the Finnish Society for the History of Technology (2004-2017) and ICOM-CIMUSET (2010-2016). He was member of the EMYA judging panel from May 2016 to January 2021.
Jonas passion for museums lies with the audience. A modern museum makes people feel at ease and lets them connect with others. At the same time visiting such museums is an intellectual and tactile sensation. Jonas enjoys museums that work as hard with the physical and spatial experience as with the content.
Jonas Dahl is a senior advisor in marketing and communications. He uses communication as a strategic tool to support to managers and organizations in order to accomplish their overall objectives.
Experienced from management positions in museums and the tourism industry he now helps a large number of museums and other cultural
attractions with communication- and marketing strategies, audience research and product development.
Sharon believes that museums matter because they can enhance our health and wellbeing, create better places for us to live and work and provide space where we can interrogate the big issues of the day.
Sharon is the director of the Museums Association, a campaigning membership body that promotes the value of museums to society.
She regularly comments on museums and cultural policy in the UK; speaks at conferences and events in the UK and internationally; and has published extensively. She lectures in the history of museums, museum ethics and museums and social impact and activism.
Sharon is the chair of the Museum of Homelessness and a trustee of the Thackray Museum of Medicine.
Peter Keller has been appointed Director General of the International Council of Museums (ICOM), effective 1 February, 2017.
Peter Keller studied art history in Vienna, Bonn and Cologne as well as museology in Paris. For three years, he worked at the Staatliche Museen zu Berlin before joining the Dommuseum. In addition to his role of Treasurer at ICOM, Keller has also served as Chair and Secretary of the organisation’s International Committee for Historic House Museums (DEMHIST) and as a board member of the Austrian National Committee. In Austria he was also a member of the jury for museum accreditation and of the national advisory council for museums.
As ICOM Director General, Peter Keller will focus on enhancing the organisation of the head office, and on improving communication both internally with the National and International Committees and externally with ICOM’s various partners. He will work to strengthen ICOM’s network, intensify its publication, programme and capacity-building efforts, and reinforce the organisation’s presence to ensure members benefit from their affiliation. “ICOM is an association of museum professionals”, he underlines, “and the only global museum association.” As such, he intends to manage the association in accordance with the principles of transparency, efficiency and subsidiarity.
Vesna believes that museums are institutions of great democratic potential and provide a new dimension to the meaning of citizen participation. Museums have an infinitely important role to reach far, educate all and give us a better understanding of humanity.
Vesna is a Member of the Serbian Parliament. She has been Chair of the Parliamentary Committee on Culture and the Media for almost a decade. During that time she was engaged in defending the principle of freedom of expression, developing cultural policies, fighting for the sustainability of national cultural institutions, the position and recognition of the role of artists in the society, as well as citizen participation in cultural life.
She was actively involved when, after years of conflict, Serbia finally started its political democratic reforms in 2000. During this period, she witnessed the hopes and frustrations of a changing society which has focused on many policy issues but did not succeed in placing cultural policies as an integral part of sustainable government strategies.
In 2011/2012 she was the Member of the Belgrade City Council in charge of the Department of Culture, and Chairperson of the Belgrade International Film Festival (FEST).
She was the Member of the Parliamentary Assembly of the Council of Europe from 2012 to 2016 during which time she held the position of Vice-Chair of Committee on Culture, Education, Science and Media and Vice-Chair of Sub-Committee on Culture, Diversity and Heritage. She was also Rapporteur on “Europe’s Endangered Heritage”, “Culture and Democracy” as well as Rapporteur for the Council of Europe Museum Prize.
Marlen believes in museum activism, in the role of culture for societal well-being and the key role museums can play in social change.
Marlen Mouliou is Assistant Professor of Museology, Faculty of History and Archaeology, National and Kapodistrian University of Athens (NKUA), member of a Cross-Faculty Committee for the Postgraduate Programme in Museum Studies (NKUA), supervisor of dozens of post-graduate students of Museology and 11 PhD research projects (3 of them awarded grants from the Greek State Scholarships Foundation). She is responsible for the Public Archaeology activities in relation to the NKUA’s excavation project in Marathon and represents NKUA in WP3 on Open Labs under CIVIS Academic Consortium. Marlen studied Archaeology and History of Art at NKUA and Museology (MA, PhD) at the School of Museum Studies, University of Leicester. Prior to her work at NKUA, with a 16 year-long career in state positions as archaeologist-museologist at the Hellenic Ministry of Culture, she accomplished numerous museum-related projects.
Internationally, she is member of the panel of judges for the European Museum of the Year Award (2016 onwards). She has served as Vice-Chair of the European Academic Heritage Network (UNIVERSEUM) (2016-2020) and as ICOM-CAMOC’s Secretary and Chair (2010-2016). She is member of the Editorial Advisory Boards of several academic national and international journals. Her interdisciplinary research focuses on the social value of museums and heritage, museum history, museum archaeology, city museums policies, museum professionalism and training, museum accreditation, archaeological ethnographies and local communities and others. In 2020, she developed the social initiative The Museum Inside Me. Together with Mark O’Neill and Jette Sandahl, she is co-editor of the book Revisiting Museums of Influence, published by Routledge, 2021.
Joan is interested in museums as open centers of knowledge and creation and in their role in cities, in favour of a new urban museology that facilitates critical thinking for democracy and the construction of European citizenship.
Joan Roca i Albert, trained as an urban geographer, is since 2007 the director of the MUHBA (Barcelona City History Museum). He has taught at the Institute for Educational Sciences of the UAB (Autonomous University of Barcelona), the Barri Besòs secondary school (1986-2006) and the Studies Programme of MACBA (Barcelona Museum of Contemporary Art), while also collaborating with the Hochschule für Gestaltung und Kunst Zürich and the History Seminar of the AHCB (City of Barcelona Historical Archive).
He has directed Aula Barcelona and the Urban Majorities Project at the Fundació Antoni Tàpies, and has been a member of the Fòrum de la Ribera del Besòs Industrial Heritage Group. As a researcher, he has carried out his work in the fields of urban history, urbanism and education and has received the Pau Vila, Barcelona City and Bonaplata awards. He has written and edited a number of articles and books on city history and metropolitan transformations, heritage and public space, city image and landscape, and education and social change.
He is a member of the international board of the European Association for Urban History. In recent years he has concentrated on the role of city museums, launching in 2010 the City History Museums and Research Network of Europe and working with CAMOC, the commitee of ICOM about the city and its people.
Jette is interested in how – or whether - museums can be social and cultural platforms where a community, a city, a region, a nation can articulate their concerns, their conflicts, their hopes and fears? In how and whether museums can function as integral part of the fabric of societies where choices and future priorities are shaped.
Jette Sandahl came to the museum sector after more than a decade of university study, teaching and research within the areas of psychology, psychoanalysis and history. She has been the founding director for two pioneering new museums, the Women’s Museum of Denmark and the Museum of World Cultures in Sweden. She has served as Director of Exhibitions and Public Programs at the National Museum of Denmark, and as Director Experience at National Museum of New Zealand Te Papa Tongarewa. Most recently, she was director of the Museum of Copenhagen, Denmark. She has been a board member of the Danish Museums Association and of the National Museums Council and active in a number of international contexts. She has been part of the formation of new paradigms for museums as platforms for empowerment, cultural participation and social justice, and writes and publishes within the broad museological field.
Jouetta believes that museums are the link between the past and the present. They ensure the connection with the great story of humanity. Exploring current themes in a museum context encourages dialogues.
Jouetta L.H. van der Ploeg (1962) studied at the Reinwardt Academy of Museology in Leiden. In 1997 she received an MA from Leiden University with her thesis on the iconography and iconology of the Samaritan Woman in Early Christian Art. She was director of the City Museum of Zoetermeer from 1991 until November 2017. The museum is noted for its pioneering work in seeking the borders of a traditional museum.
Jouetta lectures at national and international conferences on this policy and is author of several publications. From 2010 until 2013 she was Board Member of the Dutch Museum Association and through the years 2012-2017 she worked as a judge for the European Museum of the Year Award.
Most recently she was Head of Content and Deputy Director of a museum in Zoetermeer focusing on Lifestyle. Lately she has been helping a number of cultural organisations with fundraising and policy strategies.